‘The Echo Chamber’ Review: Luca Marinelli and Alicia Vikander Are Sublime in a Brooding Addiction Romance Directed from Bertolucci’s Last Script
IndieWireby Ryan Lattanzio·6 Sept 2026
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Creative Arts Emmys Night 1: Strong Showings for Bad Bunny, the Muppets, and ‘The Traitors’
IndieWireby Christian Zilko·6 Sept 2026
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‘The Difficult Bride’ Review: A Haunted Bridal Parlor Drama with Untapped Potential
IndieWireby Kate Erbland·6 Sept 2026
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‘Possible Love’ Review: Two Married Couples Begin to Covet Each Others’ Lives in the Latest Stunner from ‘Burning’ Director Lee Chang-dong
IndieWireby David Ehrlich·6 Sept 2026
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‘The Debut’ Review: Julianne Moore Shines in Jesse Eisenberg’s Story of Midlife Reinvention in Community Theater
IndieWireby Christian Zilko·6 Sept 2026
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Susan Sarandon Says Roles Are Still Being ‘Taken Away’ from Her Amid Support of Palestine
IndieWireby Marcus Jones·6 Sept 2026
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Danny Boyle Talks Returning to Telluride and Fighting to Make His Tabloid Sensation ‘Ink’
IndieWireby Anne Thompson·6 Sept 2026
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‘The Illusion of an Everlasting Summer’ Review: A Photographer’s Portrait of Two Argentine Cousins Poignantly Captures the Passage of Time
IndieWireby Christian Zilko·6 Sept 2026
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‘Making Marie Antoinette’ Review: Eleanor Coppola’s Tender Documentary About Her Daughter’s Masterpiece Doubles as a Wistful Self-Portrait
IndieWireby David Ehrlich·6 Sept 2026
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‘Oasis: Don’t Look Back in Anger’ Review: The Gallaghers’ Concert Doc Is a Reason for Celebration
IndieWireby David Ehrlich·5 Sept 2026
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Robert Pattinson Won’t Be the Only ‘Primetime’ Star to Generate Oscar Buzz
IndieWireby Marcus Jones·5 Sept 2026
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‘Elsinore’ and ‘The Liberation’ Launch TV Stars Andrew Scott and Carrie Coon Into the Oscar Race
IndieWireby Anne Thompson·5 Sept 2026
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‘The Difficult Bride’ Turns South Asia’s Beloved Wedding Tropes Into Feminist Folk Horror at Venice
IndieWireby Ryan Lattanzio·5 Sept 2026
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What I Learned Watching Six Hours of Gen-AI Short Films for the Reply AI Film Festival
IndieWireby Brian Welk·5 Sept 2026
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‘Citizen Osama’ Review: A Direct, Disarming View of Daily Horrors in Gaza from the POV of a Journalist and New Father
IndieWireby Ryan Lattanzio·5 Sept 2026
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‘Primetime’ Review: Robert Pattinson Is Even Creepier Than IRL Chris Hansen in a Bleakly Invigorating ‘To Catch a Predator’ Thriller
IndieWireby Ryan Lattanzio·5 Sept 2026
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‘The Row’ Review: One Man’s Tragedy-Inspired Voyages Across the Pacific Are Turned Into a Branding Exercise
IndieWireby Christian Zilko·5 Sept 2026
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‘Elsinore’ Review: Andrew Scott’s Towering Performance as a Dying Actor Can’t Overcome AIDS-Movie Awards Bait Clichés
IndieWireby Ryan Lattanzio·5 Sept 2026
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This September, ‘Remember Me’: The 2010 Robert Pattinson Film That Sounds Like Something He Made Up
IndieWireby Alison Foreman·5 Sept 2026
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‘A Long Winter’ Review: Andrew Haigh Goes Cold with an Immaculately Crafted Coming-of-Age Story Too Restrained for Its Own Good
IndieWireby David Ehrlich·5 Sept 2026
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