IndieWire

indiewire.comadded August 2026

All Kids Out of the Pool: An Oral History of the Adult Swim Launch

IndieWireby Christian Zilko10 Sept 2026

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The Traditional Film Industry’s Collapse Is Right on Schedule — Opinion

IndieWireby Christian Zilko10 Sept 2026

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‘Avengers: Doomsday’ Has Already Made $50 Million in Pre-Sales — And People Are Buying Disney’s Infinity Vision Gambit

IndieWireby Brian Welk9 Sept 2026

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After ‘Bunker’ Scores a Huge Venice Ovation, Will the Film and Penélope Cruz and Javier Bardem Be Major Oscar Contenders?

IndieWireby Marcus Jones9 Sept 2026

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‘The Paper’ Review: Season 2 Can’t Deliver Its One, Big, Diabolical Idea

IndieWireby Ben Travers9 Sept 2026

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Can ‘Practical Magic 2′ Wave a Wand and Save Warner Bros.’ Rough Year at the Box Office?

IndieWireby Brent Lang9 Sept 2026

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Zach Cregger Isn’t Sure He Wants Kids — So He Wrote That Anxiety Into ‘Resident Evil’

IndieWireby Alison Foreman9 Sept 2026

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Beyond Fest Returns to Los Angeles with Guests Including M. Night Shyamalan, Michael Mann, Robert Eggers, and Many More

IndieWireby Jim Hemphill9 Sept 2026

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Alexandra Pechman Came of Age in Early Aughts New York — Her First Feature ‘Magazine’ Tackles the Time with a Light Touch

IndieWireby Kate Erbland9 Sept 2026

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‘Dau’ Review: After 20 Years of Production, Ilya Khrzhanovsky’s Infamous Mega-Project Comes to a Screeching Halt

IndieWireby David Ehrlich9 Sept 2026

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‘Place to Be’ Review: Ellen Burstyn Is Radiant in Otherwise Lackluster Late-Life Drama

IndieWireby Kate Erbland9 Sept 2026

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Meira Blaustein, Co-Founder, Executive Director, and Head Programmer of The Woodstock Film Festival Stepping Down After 26 Years

IndieWireby Brent Lang9 Sept 2026

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From ‘Heathers’ to ‘Practical Magic 2,’ Denise Di Novi Keeps Her Filmmaking Personal

IndieWireby Jim Hemphill9 Sept 2026

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‘Union Town’ Review: Barbara Kopple Returns to Her Labor Roots by Unevenly Covering the Plight of New York Delivery Workers

IndieWireby Christian Zilko9 Sept 2026

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‘The Uprising’ Review: Paul Greengrass Turns the Peasants’ Revolt of 1381 Into an Unapologetic Work of 21st Century Populism

IndieWireby Christian Zilko9 Sept 2026

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Summer Box Office Hit an All-Time High in 2026 — We’re So Back, Right? And 4 Other Takeaways

IndieWireby Brian Welk8 Sept 2026

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‘Company’ Review: Casey Affleck’s Nesting Doll Narrative Is Pretty but Directionless

IndieWireby Christian Zilko8 Sept 2026

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As ‘Christine’ Turns 10, Rebecca Hall and Its Filmmakers Fear a Series of Corporate Bankruptcies Could Make the Film Disappear

IndieWireby Brent Lang8 Sept 2026

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Telluride Boosts Oscar Chances, from ‘Wild Horse Nine’ to ‘La Bola Negra,’ but Is A24’s Controversial Elizabeth Holmes Doc a Contender Too?

IndieWireby Anne Thompson8 Sept 2026

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‘Bunker’ Review: A Tech Billionaire Asks Javier Bardem to Build a Doomsday Ark in Florian Zeller’s Heavy-Handed Social Thriller

IndieWireby David Ehrlich8 Sept 2026

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