‘Manhood’ Trailer: The World of Penis Enlargement Gets a Bizarre and Sensitive Documentary
IndieWireby Ryan Lattanzio·6d ago
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Kyle Chandler, Aaron Pierre, and the ‘Lanterns’ Creators on a ‘Quieter’ Finale, Ending with Love, and the New Oath
IndieWireby Ben Travers·7d ago
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‘Lanterns’ Finale Review: Episode 8 Makes the Hard Choices — and Leaves a Light on For Season 2
IndieWireby Ben Travers·7d ago
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Q3’s Horror Box Office Shows the Trouble with Always Hunting Another ‘Obsession’
IndieWireby Alison Foreman·7d ago
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‘Digger’ Flops With $8 Million Opening, Becoming the Biggest Bomb of Tom Cruise’s Career
IndieWireby Brent Lang·7d ago
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Box Office: John Wilson’s ‘The History of Concrete’ from Magnolia Passes $1 Million
IndieWireby Brent Lang·7d ago
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‘A Statement’ Review: Tom McCarthy’s Talky Climate Crisis Seriocomedy Is Light Entertainment That Hardly Rakes the Muck
IndieWireby Ryan Lattanzio·8d ago
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Will ‘Behemoth!’ Push Pedro Pascal Into Oscar Contention?
IndieWireby Anne Thompson·9d ago
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‘Josephine’ Director Beth De Araújo Delivers Powerful Speech Condemning Cornell Rape Case
IndieWireby Marcus Jones·9d ago
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‘Behemoth!’ Review: Pedro Pascal Plays a Wayward Cellist in Tony Gilroy’s Movingly Atonal Character Study About How People Conduct Themselves
IndieWireby David Ehrlich·9d ago
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What Has the Last Decade at Netflix Done for David Fincher?
IndieWireby Brian Welk·9d ago
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Will Nathan Fielder and Lance Oppenheim’s ‘You Can See Everything’ Score a Best Picture Nomination? Not If Oscar History Is Any Guide
IndieWireby Marcus Jones·9d ago
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SCAD Savannah Film Festival Lineup Includes ‘Being Heumann,’ ‘A Talent for Murder,’ and More
IndieWireby Sarah Shachat·9d ago
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‘Cameron Winter at Carnegie Hall’ Review: PTA’s Spellbinding Concert Doc Is a Gorgeously Tender Performance
IndieWireby Ryan Lattanzio·9d ago
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Indie Filmmakers Push Back Against Claims That There Aren’t Enough Movies to Buy
IndieWireby Alison Foreman·9d ago
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How Bleecker Street Endured Tragedy and Elon Musk’s Legal Threats to Have Its Hottest Year
IndieWireby Brent Lang·9d ago
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Warner Bros. Chiefs Mike De Luca and Pam Abdy Took Big Risks and Made Great Movies. Their Exit is a Bad Thing for Cinema
IndieWireby Anne Thompson·9d ago
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Before David Ellison Took Over Paramount, I Watched the Hollywood That Brought Me Here Disappear
IndieWireby Jim Hemphill·9d ago
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Skydance: David Ellison Names Newly Combined Paramount-Warner Bros. After His Old Company
IndieWireby Brent Lang·9d ago
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Barack and Michelle Obama’s Higher Ground, Anonymous Content Making Film of ‘Baldwin: A Love Story’
IndieWireby Brent Lang·10d ago
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