Submit Your Short to This Italian Film Festival and Nicolas Winding Refn’s Jury, and MUBI Could Distribute It
IndieWireby Ryan Lattanzio·3d ago
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‘Animals’ Review: Ben Affleck’s Tedious New Netflix Thriller Is Quite Literally Just Bad TV
IndieWireby Ryan Lattanzio·3d ago
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‘V/H/S Mixtape’ Review: Shudder’s Helter-Skelter Horror Anthology Still Has Some Killer Tracks
IndieWireby Alison Foreman·3d ago
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‘9 Temples to Heaven’ Review: Spiritual Road Movie Takes a Surrealist Detour in Weerasethakul Collaborator’s Fiction Debut
IndieWireby Ryan Lattanzio·3d ago
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Inside ‘Nerve Center,’ InfoWars’ New Flagship Show That Wants to Hold Every Possible Opinion at Once
IndieWireby Christian Zilko·3d ago
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TCM Sticking Around Under Skydance, to Be Overseen by Film Group Instead of TV Team
IndieWireby Brian Welk·3d ago
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‘Crazy Rich Asians’ Series Ordered at HBO with Film’s Original Cast Returning
IndieWireby Brian Welk·3d ago
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‘Below’ Review: Josh Hartnett’s Silly Netflix Creature-Feature Is a Treat for the Eyes and Ears and Not Much Else
IndieWireby Ben Travers·3d ago
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‘Cupertino’ Review: Robert and Michelle King’s Slick and Spiky Legal Drama Takes on Today’s Most Noxious Tech
IndieWireby Ben Travers·3d ago
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What Awards Is ‘You Can See Everything’ Even Eligible for?
IndieWireby Marcus Jones·3d ago
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‘Matchbox: The Movie’ Review: If Skydance’s Theatrical Releases Are as Blandly Algorithmic as Its Streaming Ones, Hollywood Is Already Dead
IndieWireby David Ehrlich·3d ago
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Crew Members on Ben Shapiro’s Pro-ICE Film Were Surprised by the Movie’s MAGA Politics. What Did They Deserve to Know?
IndieWireby Alison Foreman·3d ago
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Cannes Prize Winner ‘Ben’Imana’ Becomes First Best International Feature Oscar Submission for Rwanda
IndieWireby Marcus Jones·3d ago
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‘Ted Lasso’ Season 4 Found Its Way by Settling for Less
IndieWireby Ben Travers·4d ago
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With Trump Settlement Money in the Bank, E. Jean Carroll Finally Speaks — and in Time for the Documentary Oscar Race
IndieWireby Anne Thompson·4d ago
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One-Night Only Screenings of ‘Wicker’ in 4DX Will Let Horny Fans Feel Every Creak and Splinter
IndieWireby Brian Welk·4d ago
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Athlete-Owned Production Companies Are Everywhere — Which Ones Are Working?
IndieWireby Christian Zilko·4d ago
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‘Soul Patrol’ Trailer: A Historic Group of Black Vietnam War Veterans Reunite to Reckon with the Past
IndieWireby Marcus Jones·4d ago
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‘The Social Reckoning’ Is the Kind of Film That the Oscars Have Moved Past Recognizing
IndieWireby Marcus Jones·4d ago
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‘My Undesirable Friends: Part II — Exile’ Review: Don’t Be Intimidated by Julia Loktev’s Gripping Six-Hour Wartime Journalism Epic
IndieWireby Ryan Lattanzio·4d ago
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