One of the Year’s Best Film Books Celebrates the Unsung Artists That Turned ‘The Women’ Into a Classic
IndieWireby Jim Hemphill·11 Sept 2026
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Korean Star Jeon Do-yeon’s Outstanding ‘Possible Love’ Performance Could Earn Venice’s Best Actress Prize — or Lee Chang-dong the Golden Lion
IndieWireby Ryan Lattanzio·11 Sept 2026
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Def Leppard Documentary Coming to Theaters Courtesy of Bleecker Street and Crosswalk
IndieWireby Brent Lang·11 Sept 2026
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‘Moonfish’ Review: This Existential Outer Space Abandonment Saga Is a Bizarro ‘Project Hail Mary’
IndieWireby Christian Zilko·11 Sept 2026
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‘Being Heumann’ Review: Siân Heder’s ‘CODA’ Follow-Up Is an Essential Biopic That’s Not Afraid to Have Some Fun
IndieWireby Kate Erbland·11 Sept 2026
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The Criterion Collection Just Got Its First Physical Outpost in Toronto
IndieWireby Kate Erbland·10 Sept 2026
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‘Colin from Accounts’ Final Season Is for the F*ck-Ups
IndieWireby Ben Travers·10 Sept 2026
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Tessa Blake Directed Over 50 Hours of Television Before Embarking on Her First Feature. The Experience Paid Off
IndieWireby Jim Hemphill·10 Sept 2026
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Cody Fern Wrote His Directing Debut ‘Closing Night’ for Sarah Paulson: ‘She’s Like a Bugatti’
IndieWireby Ryan Lattanzio·10 Sept 2026
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New Documentary ‘Capturing Bigfoot’ Blows the Legend of the Sasquatch Wide Open — Watch Trailer
IndieWireby Jim Hemphill·10 Sept 2026
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‘Arrested Memory’ Review: Sabu Plays Amnesia for Gentle Comedy
IndieWireby Christian Zilko·10 Sept 2026
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‘All of a Sudden’ Trailer: Ryusuke Hamaguchi’s Epic Two-Hander Stars Virginie Efira and Tao Okamoto
IndieWireby Kate Erbland·10 Sept 2026
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Louis Garrel Looks Back on the X-Rated Classic ‘The Dreamers’ and Being ‘Shocked’ by His Sex Scenes with Isabelle Huppert in ‘Ma Mère’
IndieWireby Ryan Lattanzio·10 Sept 2026
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‘NAZA’ Review: The Israeli Directors of ‘No Other Land’ Illuminate the Mechanics of Genocide in Another Essential Documentary
IndieWireby David Ehrlich·10 Sept 2026
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No One Knows Better Than Filmmaker Scott Waugh Why Authenticity Is the Ultimate Special Effect
IndieWireby Kate Erbland·10 Sept 2026
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Zach Cregger Weighs in on the Physical Media Debate Ahead of Sony’s ‘Resident Evil’
IndieWireby Alison Foreman·10 Sept 2026
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Nathan Fielder and Lance Oppenheim’s ‘You Can See Everything’ New York Premiere Set for NYFF
IndieWireby Ryan Lattanzio·10 Sept 2026
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To Follow Her Best Picture Win, Siân Heder Opted to Make ‘the Hardest Story She Could Imagine’
IndieWireby Kate Erbland·10 Sept 2026
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‘Fatherland’ Trailer: Sandra Hüller Plays Thomas Mann’s Daughter in the Latest Black-and-White Drama from Pawel Pawlikowski
IndieWireby Christian Zilko·10 Sept 2026
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‘Everytime’ Review: Sandra Wollner’s Infinitely Beguiling Portrait of Grief in the Digital Age Is One of the Most Haunting Films of the Decade
IndieWireby David Ehrlich·10 Sept 2026
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