IndieWire

indiewire.comadded August 2026

Venice Film Festival Reveals 2026 Award Winners: ‘Woman Unknown’ Takes the Golden Lion

IndieWireby Ryan Lattanzio12 Sept 2026

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Courteney Cox Had a Vision for Her ‘Evil Genius,’ and ‘Friends’ — Surprisingly — Played an Important Role

IndieWireby Kate Erbland12 Sept 2026

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Tim Blake Nelson on His 12-Year Battle to Make ‘The Life and Deaths of Wilson Shedd’ and Joining ‘Task’ Season 2

IndieWireby Brent Lang12 Sept 2026

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Venice Jury President Maggie Gyllenhaal on Her Short ‘Flesh Impact,’ Casting Ellen Burstyn, and AI

IndieWireby Marcus Jones12 Sept 2026

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‘Everybody Wants to F*ck Me’ Review: Taron Egerton Does ‘Obsession’ to Every Woman on Earth in Cynical Horror Comedy That Trips Over Its Dick

IndieWireby David Ehrlich12 Sept 2026

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After the Heartbreak of ‘Blade,’ ‘Your Mother Your Mother Your Mother’ Director Bassam Tariq Still Thanks Marvel for Helping Him ‘Think Big’

IndieWireby Marcus Jones12 Sept 2026

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On ‘Lanterns,’ the Costumes Have a Bird’s-Eye View of the Characters

IndieWireby Sarah Shachat12 Sept 2026

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‘The Stunt Driver’ Review: Jay Baruchel Plays a Canadian Daredevil Trying to Pull Off an Impossible Stunt in a Fun 1970s Throwback

IndieWireby David Ehrlich12 Sept 2026

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‘Trash Mountain’ Review: Caleb Hearon Turns Leading Man in This Gentle Coming-of-Age Dramedy

IndieWireby Kate Erbland11 Sept 2026

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Is Josh Giuliano the Next Curry Barker or Kane Parsons? Blumhouse Atomic Monster Seems to Think So

IndieWireby Brent Lang11 Sept 2026

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From Nathan Fielder’s Buzzy Elizabeth Holmes Doc to Robert Pattinson’s Divisive ‘Primetime’: Venice and Telluride’s Winners and Losers

IndieWireby Ryan Lattanzio11 Sept 2026

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‘The Housewife’ Review: Naomi Watts Stuns, but This True Story Flounders Under Its Own Weight

IndieWireby Kate Erbland11 Sept 2026

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‘Makikiraan Po (Let Us Through, Dear Ancestors)’ Review: Lav Diaz and Isabel Sandoval Team Up for a Mournful, Modest Anti-Colonial Drama

IndieWireby Ryan Lattanzio11 Sept 2026

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‘American Hostage’ Review: Jon Hamm Anchors a Tepid Period Drama on Timely Threats to the Fourth Estate

IndieWireby Ben Travers11 Sept 2026

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‘Lovers in the Blue Night’ Review: Anuparna Roy Returns with a Dreamy, Pained Drama About Desire and Displacement

IndieWireby Ryan Lattanzio11 Sept 2026

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‘A Bit of Light’ Review: Ali Asgari’s Iranian Answer to ‘It’s a Wonderful Life’ Is a Bit of a Miracle

IndieWireby Ryan Lattanzio11 Sept 2026

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‘One Minute to Midnight’ Review: Melvil Poupaud Reckons with His Past in a Too-Talky Parisian Drama

IndieWireby Ryan Lattanzio11 Sept 2026

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How Mark Zuckerberg’s Doomsday Escape Plan and ‘Eyes Wide Shut’ Inspired Florian Zeller to Create ‘Bunker’ for Penélope Cruz and Javier Bardem

IndieWireby Brent Lang11 Sept 2026

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How Two Oscar Winners Are Charting New Paths for Indian Cinema at TIFF with ‘Dorothy’ and ‘Termite’

IndieWireby Ryan Lattanzio11 Sept 2026

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‘Burgundy’ Review: A Warm, Witty Winemaking Vibe Documentary You’ll Want to Pair with a Glass of Red

IndieWireby Ryan Lattanzio11 Sept 2026

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