‘Lanterns’ Review: Episode 5 Lights Up Rushville with a Sh*tstorm of Consequences — Spoilers
IndieWireby Ben Travers·28d ago
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‘How We Stand’ Review: Amber Midthunder Stars in a Richly Drawn, Magical-Realist Indigenous Tale
IndieWireby Ryan Lattanzio·28d ago
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Why Do Men Keep Telling Anna Biller She’s ‘Camp’?
IndieWireby Alison Foreman·29d ago
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‘The Uprising’ Bombs at Box Office Despite Last-Ditch Scramble to Market Film as Robin Hood Origin Story
IndieWireby Brent Lang·29d ago
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From Tragedy to ‘Everest’: Inside Jimmy Chin and Chai Vasarhelyi’s Most Ambitious Film Yet
IndieWireby Anne Thompson·29d ago
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‘I Play Rocky’ Review: Sylvester Stallone’s Wild Hollywood Underdog Story Gets a Punchy Crowdpleaser
IndieWireby Kate Erbland·29d ago
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‘Mr. Irrelevant’ Trailer: David Corenswet Toughs and Smiles His Way to the NFL as Last Draft Pick John Tuggle
IndieWireby Brian Welk·29d ago
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‘Practical Magic 2,’ the Sequel to a 28-Year-Old Box Office Bomb, Opens to Lackluster $30 Million
IndieWireby Brent Lang·29d ago
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How Susanna White Brought Lauded One-Woman Play ‘Prima Facie’ to the Big Screen (Casting Cynthia Erivo Helped)
IndieWireby Kate Erbland·29d ago
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‘The Remotes’ Review: John Torres’ Sci-Fi Noir is an Unshakable Film About a Sinister Navigation App
IndieWireby David Ehrlich·29d ago
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Beth de Araújo’s ‘Josephine’ Is About Childhood Trauma — Making It with a Real Kid Had to Be Nothing but Safe
IndieWireby Kate Erbland·29d ago
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‘Babies’ Review: Anna Kendrick and Seth Rogen Debate Parenthood in Lauren Miller Rogen’s Warm, Wise Comedy
IndieWireby Kate Erbland·29d ago
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How Teens and Endurance Tests Helped Sailing Doc ‘Mighty Mary’ Go the Distance
IndieWireby Sarah Shachat·29d ago
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‘Vintage Violence’ Review: Too Much Is Never Enough in Eugene Kotlyarenko’s Overstimulating Crime Comedy
IndieWireby Kate Erbland·29d ago
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‘Your Mother Your Mother Your Mother’ Review: Faith, Family, and Firearms Drive Bassam Tariq’s Intriguingly Strange Action-Drama
IndieWireby David Ehrlich·29d ago
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‘Misty Green’ Review: Rosalind Eleazar Stuns in Chris Rock’s Raw but Unfocused Hollywood Character Study
IndieWireby David Ehrlich·29d ago
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‘River’ Review: Jane Levy Anchors a Fearlessly Cruel and Visceral Survival Slasher
IndieWireby Ryan Lattanzio·29d ago
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‘Purgatory’ Review: This Charming Catholic Coming-of-Age Story Never Quite Ascends
IndieWireby Christian Zilko·29d ago
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Venice Prizes Elevate John Malkovich, ‘Possible Love,’ and ‘NAZA’ to Oscar Frontrunners
IndieWireby Marcus Jones·29d ago
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‘Edward Said: Between Worlds’ Brings an Articulate Palestinian Spokesman Back to Life
IndieWireby Anne Thompson·12 Sept 2026
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